James Marshall Week Day 2: Gorey Details

Alright, I asked you yesterday which Edward inspired James Marshall. You had the choice of Edward Gorey, Edward Ardizzone, and Blake Edwards. The answer?

photo by Julie Danielson from Bill Gray’s scrapbook

The gentleman on the right is none other than Edward Gorey. And, yes, Marshall considered him a master (alongside Maurice Sendak) of picture book illustration. You can see Gorey’s influence in Marshall’s earliest work. Here’s a page from PLINK, PLINK, PLINK (Baylor, Marshall, 1971).

You can see Marshall’s working hard to capture the atmosphere in Gorey’s work and in some places he’s successful (that tree, especially) but his crosshatching isn’t there. Lines in crosshatching are often oriented to follow the form of the object they’re decorating. Marshall accomplishes this in some places (the sloping bannister and the ball top) but in a rudimentary way. Crosshatching can also be used to denote the illustration’s light source but the shading is indistinct and, in some cases contradictory, (the ball at the top of the post is shaded on the left, the post itself is shaded on the right). Mostly, he’s using crosshatching to fill space.

Marshall would later find his strengths in shape, form, and composition to give his characters volume.

GEORGE AND MARTHA ROUND AND ROUND (1988)

But he’d never give up using at least a slight bit of crosshatching. Or in the following example, a lot. Here’s three attempts at filling in Old Mother Hubbard’s skirt, none of which were used as the final art (please excuse the dim quality of the first two pictures, I took these in a low-light archival setting, the last photo is darker and triggered my camera’s flash… if the original should suddenly dissolve, you know who to blame).

from the Thomas J. Dodd Library JAMES MARSHALL PAPERS, University of Connecticut

from the Thomas J. Dodd Library JAMES MARSHALL PAPERS, University of Connecticut

from the Thomas J. Dodd Library JAMES MARSHALL PAPERS, University of Connecticut

The final? It’s wonderful. That drapery is a hard effect to achieve in any technique. James Marshall absolutely nails it here. It’s incredibly intentional (as is my jeans folds being kept in the image).

OLD MOTHER HUBBARD AND HER WONDERFUL DOG (1991)

Oh, incidentally, today (the tenth) is James Marshall’s birthday. Maybe I’ll dip my pen in ink in honor of the occassion. As for the rest of the week… I’m playing it by ear, I’m not sure what else I’ll talk about. If you have any Marshall questions you’d like answered, let me know and I’ll do my best to answer them. See you tomorrow!

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Fun Day at the Donut Gallery

I made a book trailer:

I might have done this ahead of my DONUTS FOR EVERYBODY’s release but the audio only came to me last Thursday. Author Jess Yoon sent me a recording of her two firecrackers reading my book and I couldn’t resist making an animation of it.

If you’re wondering, it wasn’t me they were calling scary (I edited their commentary into the audio I used above). Can you guess which donut out of all 578 donuts in the book they thought was scary? Download the book here to see for yourself…

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James Marshall Week Day 1: Happy Birthday, James Marshall!

If you ever doubted a person could talk about paper donuts for three hours and forty minutes, I will point you to my last post and perhaps change your mind. If you ever doubted a person could talk about James Marshall for a five days, I will invite you to join me in a celebration of James Marshall’s life this week.

October 10th is James Marshall’s birthday, October 13th marks his passing. I usually acknowledge one or both of those days on Twitter where I’ll share some kind of Marshall-related resource. It doesn’t make sense to do that there any more, so I’m going to bring the party here instead.

It’s So Nice to Have a Wolf Around the House (Allard, Marshall, 1977)

Today, October 9th, is Indigenous Peoples’ day so it feels fitting to open with my own article about Marshall’s appropriation of Native American headdresses in his art. You’ll find that post here (don’t be frightened off by that title, it’s actually a quick read):

To tease our next post, I have a question for you: which of the following Edwards was a young James Marshall’s artistic inspiration?

Edward Gorey
Edward Ardizzone

Blake Edwards

Put your best guess in the comments. See you tomorrow!

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